Cuerda Manual Film Poster A Film By: Gawx / Gustavo Obregón
The New Yorker Animations for ‘Surviving ‘The Graduate’’ Art Director: Aurora Colon
New York Times Opinion Illustration for ‘What You See in America Is Exactly What You Saw in Poland and Hungary’ Art Director: Kristie Bailey
Five Years, Four Months Film Poster A Film By: Esteban Hoyos García & Juan Miguel Gelacio
New York Times Opinion Illustration for ‘What Keeps Me Up at Night About the Russia Plague Scare’ Art Director: Elana Schlenker
CAMERAMAN Film Poster / Lettering Written and Directed by: Arsalan Motavali
Smith Quarterly Summer 2024 / Editorial Redesign / Typeface Design
Art Director: Matt Willey
Pentagram team: Bina Thorsen, August Dine
Typeface designers/developers: Blast Foundry, Bina Thorsen
Smith team: John MacMillan, Christina Barber-Just, Megan Tkacy
Art Director: Matt Willey
Pentagram team: Bina Thorsen, August Dine
Typeface designers/developers: Blast Foundry, Bina Thorsen
Smith team: John MacMillan, Christina Barber-Just, Megan Tkacy
Smith Quarterly Summer 2024 Editorial Redesign, Typeface Design Art Director: Matt Willey / Pentagram team: Bina Thorsen, August Dine / Typeface developers: Blast Foundry / Smith team: John MacMillan, Christina Barber-Just, Megan Tkacy
Rain Dogs, HBO and BBC1 / Title Sequence / Typeface Design
Art Director: Matt Willey
Team: Bina Thorsen, Nick Marabella
Rain Dogs, HBO and BBC1 Title Sequence, Typeface Design Art Director: Matt Willey / Team: Bina Thorsen, Nick Marabella
New York Times Opinion Illustration for ‘Iran Is Using America’s Playbook Against Us’ Art Director: Shannon Lin
Art Director: Matt Willey
Team: Bina Thorsen, Nick Marabella
Rain Dogs, HBO and BBC1 Title Sequence, Typeface Design Art Director: Matt Willey / Team: Bina Thorsen, Nick Marabella
New York Times Opinion Illustration for ‘Iran Is Using America’s Playbook Against Us’ Art Director: Shannon Lin
KAOS, Netflix Interstitial Titles, Typeface Design Art Director: Matt Willey / Team: Bina Thorsen, Nick Marabella
Color Study Collage
The Economist Illustration for ‘Russia has seized a Japanese Journalist’ Art Director: Cameron Weaver
Kira Collage Study
Color Study Collage
The Economist Illustration for ‘Russia has seized a Japanese Journalist’ Art Director: Cameron Weaver
Kira Collage Study
One Day, Netflix / Title Sequence
Art Director: Matt Willey
Team: Bina Thorsen, Nick Marabella
Art Director: Matt Willey
Team: Bina Thorsen, Nick Marabella
One Day, Netflix Title Sequence Art Director: Matt Willey / Team: Bina Thorsen, Nick Marabella
New York Times Opinion Illustration for ‘Social Media Reduces Tragedies to Snuff Films’ Art Director: Kristie Bailey
The Atlantic Illustration for ‘A Quarter Century of Pain’ Art Director: Akshita Chandra
Mi Amigo, El Arquitecto Film Poster Produced and Directed by: Óscar Garzón
The Economist Christmas Special illustrations for ‘Two centuries ago, Russian revolutionaries tried to change the world’ Art Director: Cameron Weaver
The New Yorker Animation for ‘”Euphoria”’s Descent Into Hell’ Art Director: Ben Kothe
Portman Tea / Packaging Design
Art Director: Matt Willey
Product Designer: Piotr Woronkowicz
Pentagram team: Bina Thorsen, August Dine
Art Director: Matt Willey
Product Designer: Piotr Woronkowicz
Pentagram team: Bina Thorsen, August Dine
Portman Tea Packaging and Pattern Design Art Director: Matt Willey / Product Designer: Piotr Woronkowicz / Pentagram team: Bina Thorsen
Throughline Collage
MAGID/ZAFAR Special Edition Film Posters Directed by: Luís Hindman / Paintings by: Ella Jackson
The Juggernaut Pattern Design Art Director: Matt Willey
Contained Cities Lettering, Collage
Things I Can’t Remember Photography Paintings
Marina Artwork from ‘Continuance’ Exhibit in Bikaner House, New Delhi
INQUE Magazine Illustration for ‘The Softness’ Art Director: Matt Willey
Private Commission 36x52” Canvas Collage
MAGID/ZAFAR Film Posters Directed by: Luís Hindman
Tiles Pattern Design
The New Yorker Illustration for ‘A.O.C.’s Eggs and the Working Woman’s Inconvenient Truth’ Art Director: Aurora Colon
New York Times Opinion Illustration for ‘It Wasn’t a Civil War. It Was the Slaveholders’ Rebellion.’ Art Director: Elana Schlenker
Finita La Commedia Lettering
Ragdoll, AMC+ Title Sequence, Collage Art Directors: Matt Willey, Pablo Delcan / Team: Bina Thorsen, Nick Marabella, Avery Cross, Nadav Kander, Ariana Gupta, Dominique Marchini
Smith Quarterly Fall 2024 / Editorial Design
Art Director: Matt Willey
Pentagram team: Bina Thorsen, August Dine
Typeface designers/developers: Blast Foundry, Bina Thorsen
Smith team: John MacMillan, Christina Barber-Just, Megan Tkacy
Art Director: Matt Willey
Pentagram team: Bina Thorsen, August Dine
Typeface designers/developers: Blast Foundry, Bina Thorsen
Smith team: John MacMillan, Christina Barber-Just, Megan Tkacy
Smith Quarterly Fall 2024 Editorial Design Art Director: Matt Willey / Pentagram team: Bina Thorsen, August Dine / Smith team: John MacMillan, Christina Barber-Just, Megan Tkacy
New York Times Opinion Illustration for ‘Glengarry Glen Ross’ Art Director: Shoshana Schultz
Mamma Rotoscope Animation
Leif Lettering
Chrysler Museum of Art Brand Identity Art Director: Matt Willey / Team: Bina Thorsen, Nick Marabella, Chantal Jahchan
Evgenia Collage Study
The Atlantic Illustration for ‘Being a Dad Is About More Than Being Around‘ Art Director: Ben Kothe
CDMX Wide Stencil Lettering
Kira Collage Study